1 00:00:13,040 --> 00:00:15,160 [tension music] 2 00:00:17,360 --> 00:00:18,800 [the train whistles] 3 00:00:25,840 --> 00:00:28,280 [rings] 4 00:00:30,320 --> 00:00:31,480 Gwen for Quentin? 5 00:00:34,240 --> 00:00:36,040 Gwen for Quentin, do you receive me? 6 00:00:37,360 --> 00:00:38,760 Yeah, I'm listening. 7 00:00:38,960 --> 00:00:40,720 We will soon arrive at the station. 8 00:00:40,880 --> 00:00:43,800 We'll be picked up there. Home stretch! 9 00:00:43,960 --> 00:00:46,000 - We're careful. - [weapon loading] 10 00:00:46,160 --> 00:00:47,520 [snicker] 11 00:00:48,840 --> 00:00:51,080 You look too many action movies. 12 00:00:51,240 --> 00:00:53,600 [the train whistles] 13 00:01:00,360 --> 00:01:01,360 [startle] 14 00:01:03,640 --> 00:01:04,800 It's daytime. 15 00:01:06,240 --> 00:01:07,680 - It's the day! - [he laughs] 16 00:01:07,840 --> 00:01:10,560 We came out of a tunnel. This... 17 00:01:42,040 --> 00:01:43,080 What is this? 18 00:01:43,240 --> 00:01:44,920 [the train suddenly brakes] 19 00:01:45,080 --> 00:01:46,280 [screams] 20 00:01:46,440 --> 00:01:49,040 [the train continues to brake] 21 00:02:02,600 --> 00:02:04,200 [the train stops] 22 00:02:05,640 --> 00:02:08,200 [hissing] 23 00:02:08,360 --> 00:02:11,040 [groans of pain] 24 00:02:13,920 --> 00:02:14,960 Are you okay? 25 00:02:15,120 --> 00:02:16,160 Yeah. 26 00:02:17,840 --> 00:02:18,720 [beep] 27 00:02:18,880 --> 00:02:19,960 What is Gwen? 28 00:02:22,280 --> 00:02:24,080 Gwen, what's going on? what the hell? 29 00:02:25,440 --> 00:02:27,360 - There is a trunk on the track. - What? 30 00:02:27,520 --> 00:02:29,680 A trunk right in the middle of the track. 31 00:02:30,920 --> 00:02:32,640 Okay, guys. We equip ourselves. 32 00:02:36,360 --> 00:02:38,520 - That was to be expected. - It's what ? 33 00:02:38,680 --> 00:02:40,640 It happens, with the storms. 34 00:02:41,960 --> 00:02:45,040 You made us catch parallel routes 35 00:02:45,240 --> 00:02:47,080 for safety, but it's not 36 00:02:47,240 --> 00:02:49,600 those who are checked first. - Yeah. 37 00:02:49,800 --> 00:02:51,720 - It's stupid. - Gwen for Quentin. 38 00:02:51,880 --> 00:02:53,360 I'll see if anyone 39 00:02:53,560 --> 00:02:54,800 dropped it. - Okay. 40 00:02:54,960 --> 00:02:56,440 Call the police. 41 00:02:56,640 --> 00:02:59,600 If it's a network hit, we're going to need them. 42 00:02:59,760 --> 00:03:02,720 Théo, call the police. Call them. 43 00:03:04,320 --> 00:03:07,240 We can't do anything there. I'm calling the regulator. 44 00:03:07,400 --> 00:03:08,520 We don't call anything. 45 00:03:08,720 --> 00:03:10,560 It will take 3 hours. Help me. 46 00:03:12,840 --> 00:03:14,320 1, 2, 3. 47 00:03:14,520 --> 00:03:15,520 [groans] 48 00:03:15,720 --> 00:03:18,400 OK, it's not that heavy. Together, we will get there. 49 00:03:19,800 --> 00:03:21,920 Gwen for Quentin. Bring me back some guys 50 00:03:22,080 --> 00:03:24,520 for the trunk. - Can we send men? 51 00:03:24,680 --> 00:03:26,600 We take care of it. Bastien, Nico. 52 00:03:27,680 --> 00:03:28,800 Come on. 53 00:03:29,000 --> 00:03:31,280 - I'm going with them. - Are you sure? 54 00:03:31,440 --> 00:03:33,400 - Don't worry. - Be careful, eh. 55 00:03:35,040 --> 00:03:37,680 Gentlemen, is it good? In place? 56 00:03:37,880 --> 00:03:41,440 [tension music] 57 00:03:44,400 --> 00:03:46,200 [electronic beeps] 58 00:03:47,960 --> 00:03:49,000 I'm not going there. 59 00:03:49,160 --> 00:03:51,240 Yes, I told you to stay there. 60 00:03:54,040 --> 00:03:55,600 [Theo] A weapon, please. 61 00:03:56,920 --> 00:03:59,240 [electronic beeps] 62 00:04:07,080 --> 00:04:09,160 Gwen, Thierry is joining you with 2 guys. 63 00:04:09,360 --> 00:04:11,400 We stay here with tables. 64 00:04:11,560 --> 00:04:14,320 Pay attention when you get out of the car. 65 00:04:24,640 --> 00:04:25,520 [beep] 66 00:04:25,720 --> 00:04:26,880 You can go there. 67 00:04:56,720 --> 00:04:59,800 ["Signed Cat's Eyes", by Anne Sila] 68 00:05:03,160 --> 00:05:06,200 - ♪ Girls of today ♪ - ♪ Children of the form ♪ 69 00:05:06,400 --> 00:05:09,120 ♪ We love to laugh and dance ♪ 70 00:05:09,280 --> 00:05:10,920 ♪ Vienna midnight ♪ 71 00:05:11,120 --> 00:05:13,120 ♪ When others fall asleep ♪ 72 00:05:13,280 --> 00:05:15,240 ♪ We become for the night ♪ 73 00:05:15,400 --> 00:05:17,320 ♪ Three lively panthers ♪ 74 00:05:17,480 --> 00:05:20,200 ♪ Who in a flash know how to jump ♪ 75 00:05:20,400 --> 00:05:22,120 ♪ Without a sound ♪ 76 00:05:22,280 --> 00:05:23,920 ♪ Sisters and solidarity ♪ 77 00:05:24,080 --> 00:05:25,760 ♪ On land or in the air ♪ 78 00:05:25,920 --> 00:05:30,600 ♪ Meeting all challenges ♪ 79 00:05:30,760 --> 00:05:32,120 ♪ Cat's Eyes ♪ 80 00:05:33,240 --> 00:05:35,120 ♪ Signed Cat's Eyes ♪ 81 00:05:37,240 --> 00:05:38,280 ♪ Cat's Eyes ♪ 82 00:05:39,320 --> 00:05:41,760 ♪ Signed Cat's Eyes ♪ 83 00:05:43,720 --> 00:05:46,680 ♪ Beautiful incognito Fabulous trio ♪ 84 00:05:46,880 --> 00:05:51,600 ♪ In contempt of all dangers ♪ 85 00:05:51,760 --> 00:05:53,320 ♪ Cat's Eyes ♪ 86 00:05:56,560 --> 00:05:58,960 [mysterious music] 87 00:06:12,520 --> 00:06:14,920 [Theo] Yes, hello? Can you hear me or not? 88 00:06:16,040 --> 00:06:17,120 Shit... 89 00:06:17,320 --> 00:06:19,560 Yes, hello. Major Théo Iribarren, 90 00:06:19,760 --> 00:06:21,560 of the Brocs brigade, in Paris. 91 00:06:22,920 --> 00:06:25,840 In Paris, uh... Paris, the capital of France. 92 00:06:26,040 --> 00:06:27,600 So, Paris... 93 00:06:27,760 --> 00:06:31,160 I'm stuck on a train with the rest of my brigade. 94 00:06:31,360 --> 00:06:33,800 - [Quentin] Gwen, where are you? - [Théo] I can't tell you 95 00:06:34,000 --> 00:06:36,040 what we were carrying. It's secret. 96 00:06:36,240 --> 00:06:38,680 I don't know where we are, we don't have a network. 97 00:06:38,840 --> 00:06:39,920 We don't have Maps. 98 00:06:40,120 --> 00:06:43,200 We are on a very large bridge, between Paris and Lyon. 99 00:06:43,400 --> 00:06:45,640 Get over it, but find us... 100 00:06:45,840 --> 00:06:47,440 - [communication cut] - Hello? 101 00:06:47,640 --> 00:06:48,680 [crackling] 102 00:06:48,880 --> 00:06:51,400 She hung up on me. It's incredible! 103 00:06:51,600 --> 00:06:53,440 It smells like vanilla, right? 104 00:06:53,640 --> 00:06:55,800 - Anything. Gwen? - I'll call back. 105 00:06:56,000 --> 00:06:59,040 - [scrambled voice] - Gwen, are you receiving me or not? 106 00:06:59,240 --> 00:07:01,240 Do your talkies work? 107 00:07:01,440 --> 00:07:03,600 No network. Thank you campaign! 108 00:07:03,800 --> 00:07:05,080 Gwen, can you see me? 109 00:07:06,680 --> 00:07:07,920 [Theo groans] 110 00:07:08,120 --> 00:07:10,360 [light music] 111 00:07:18,160 --> 00:07:20,360 [muffled voice] Gwen! Gwen! 112 00:07:22,760 --> 00:07:26,040 [someone walks on the roof] 113 00:07:29,960 --> 00:07:32,600 - [crackling] -Gwen! Gwen! 114 00:07:32,800 --> 00:07:34,800 [crackling] 115 00:07:34,960 --> 00:07:38,480 - [intriguing music] - [he struggles to breathe] 116 00:07:38,640 --> 00:07:40,680 [snoring] 117 00:07:40,840 --> 00:07:43,080 [muffled cries] 118 00:07:44,960 --> 00:07:46,760 Theo! Theo! 119 00:07:46,960 --> 00:07:49,840 [snoring] 120 00:07:50,000 --> 00:07:51,080 Theo! 121 00:07:59,880 --> 00:08:02,920 [beeps] 122 00:08:03,080 --> 00:08:04,120 [unlock] 123 00:08:05,680 --> 00:08:07,520 [metallic crash] 124 00:08:07,720 --> 00:08:09,680 [Quentin gasps] 125 00:08:09,880 --> 00:08:12,200 [suspenseful music] 126 00:08:12,360 --> 00:08:14,960 [breathing into a mask] 127 00:08:26,040 --> 00:08:28,200 Stop! Stop! 128 00:08:28,360 --> 00:08:30,720 Get on your knees! On your knees! 129 00:08:30,920 --> 00:08:33,720 And don't move! Get on your knees and don't move! 130 00:08:33,880 --> 00:08:36,640 Hands on your head! Hurry up! 131 00:08:36,800 --> 00:08:38,160 Hurry up, I tell you! 132 00:08:39,320 --> 00:08:40,400 - Shit... - Come on! 133 00:08:41,880 --> 00:08:45,000 - Ouch ouch ouch! - [Quentin groans] 134 00:08:45,200 --> 00:08:46,920 Ouch ouch ouch... 135 00:08:47,120 --> 00:08:49,400 I'm sorry, I'm sorry... 136 00:08:49,600 --> 00:08:50,840 Oh no... 137 00:08:52,200 --> 00:08:53,680 It's not possible, dammit! 138 00:08:53,880 --> 00:08:55,600 Tam, what's going on? 139 00:08:55,800 --> 00:08:58,160 It's Quentin, he wasn't sleeping there. 140 00:08:58,320 --> 00:08:59,560 Piss off! 141 00:09:12,320 --> 00:09:15,160 - I have the painting. - I'll meet you behind the train. 142 00:09:16,360 --> 00:09:18,640 [intriguing music] 143 00:09:18,840 --> 00:09:21,160 [Syl] Alex, watch the cops at the front of the train 144 00:09:21,360 --> 00:09:22,800 until Tam comes out. 145 00:09:24,240 --> 00:09:25,280 Alex, 146 00:09:25,440 --> 00:09:28,720 returns the rope. I'm done, I'm ready. 147 00:09:28,880 --> 00:09:30,240 Alex? 148 00:09:33,240 --> 00:09:34,280 Alex? 149 00:09:35,920 --> 00:09:38,640 Syl, do you see Alex? She doesn't answer. 150 00:09:38,800 --> 00:09:41,280 No, I left. I can no longer see the train. 151 00:09:41,480 --> 00:09:42,520 Alex, what are you doing? 152 00:09:42,720 --> 00:09:45,040 Tam, you can go out alone or not? 153 00:09:45,200 --> 00:09:47,280 Don't worry, I manage. 154 00:09:51,120 --> 00:09:52,160 I love you. 155 00:10:07,760 --> 00:10:10,400 [screams in the distance] 156 00:10:10,600 --> 00:10:12,640 - 1, 2, 3! - Alex? 157 00:10:18,240 --> 00:10:20,400 Syl, I don't know where Alex is. 158 00:10:20,600 --> 00:10:21,920 [Syl] I'm coming. 159 00:10:34,280 --> 00:10:35,320 Alex? 160 00:10:35,480 --> 00:10:36,960 Alex? 161 00:10:37,120 --> 00:10:39,240 [Alex moans] 162 00:10:39,400 --> 00:10:42,520 [muffled moans] 163 00:10:42,680 --> 00:10:44,840 - Are you okay? - Untie me! 164 00:10:45,000 --> 00:10:46,240 - Wait. - Ouch! 165 00:10:46,400 --> 00:10:48,400 - Be careful! - [Alex moans] 166 00:10:48,560 --> 00:10:51,440 What happened? 167 00:10:51,640 --> 00:10:52,840 I don't know... 168 00:10:53,000 --> 00:10:55,920 I was behind you, and I find myself attached! 169 00:10:56,080 --> 00:10:57,480 (Slowly...) 170 00:10:57,640 --> 00:10:59,640 - [door slams] - What is that? 171 00:11:01,000 --> 00:11:03,640 - [clicking] - What is that noise? 172 00:11:05,240 --> 00:11:06,520 (We were locked up.) 173 00:11:10,000 --> 00:11:11,280 [strokes] 174 00:11:14,720 --> 00:11:15,760 Should I borrow it? 175 00:11:15,920 --> 00:11:17,080 Damn, the painting! 176 00:11:17,240 --> 00:11:18,560 Go ahead, give! 177 00:11:18,720 --> 00:11:20,920 But what are you doing there? Untie me! 178 00:11:21,080 --> 00:11:22,320 You have hands, right? 179 00:11:22,520 --> 00:11:24,600 [suspenseful music] 180 00:11:41,600 --> 00:11:43,680 [a man screams and moans] 181 00:11:43,880 --> 00:11:46,920 [man] Don't hurt me! I'll let you go, stop! 182 00:11:48,320 --> 00:11:50,800 [muffled moans] 183 00:12:08,320 --> 00:12:10,640 Are you okay, sir? How are you ? 184 00:12:10,840 --> 00:12:12,400 Come, get up. 185 00:12:15,680 --> 00:12:16,720 Where is he? 186 00:12:18,040 --> 00:12:20,520 - Is that you, Cat's Eyes? - Where did he go? 187 00:12:20,720 --> 00:12:21,800 I don't know. 188 00:12:21,960 --> 00:12:23,840 - He hurt me. - Are you injured? 189 00:12:24,040 --> 00:12:25,640 - Oh yeah... - Are you going to be okay? 190 00:12:25,840 --> 00:12:27,280 Where? Show me. 191 00:12:29,000 --> 00:12:31,360 The beauty of your eyes is equal to my talent. 192 00:12:31,560 --> 00:12:33,680 - [action music] - [struggle grunts] 193 00:12:35,480 --> 00:12:36,640 - Balèze. - Shut up. 194 00:12:36,800 --> 00:12:39,600 I would prefer let us stick to the vows. 195 00:12:39,760 --> 00:12:41,600 - [she shouts] - Do you dance? 196 00:12:41,760 --> 00:12:43,720 [paced action music] 197 00:12:52,200 --> 00:12:53,800 - Hello, baby. - [he chuckles] 198 00:13:01,880 --> 00:13:03,560 Ouch! My nose! 199 00:13:03,720 --> 00:13:06,120 [nasal voice] My nose, my nose! Ouch... 200 00:13:06,280 --> 00:13:07,160 Oh no! 201 00:13:07,320 --> 00:13:08,360 Hey hey! 202 00:13:14,280 --> 00:13:16,160 [she struggles] 203 00:13:19,160 --> 00:13:20,360 That's it, he's mine. 204 00:13:21,600 --> 00:13:23,520 Wait, wait, don't move. 205 00:13:23,680 --> 00:13:25,920 [intriguing music] 206 00:13:26,080 --> 00:13:28,760 Oh... You are very, very beautiful. 207 00:13:28,920 --> 00:13:30,600 Very, very beautiful. 208 00:13:30,760 --> 00:13:32,280 That's mine too. 209 00:13:33,760 --> 00:13:35,160 Awesome. 210 00:13:38,120 --> 00:13:40,600 Sorry to leave you there. If you survive, 211 00:13:40,760 --> 00:13:42,880 I hope we go have a drink. 212 00:13:43,040 --> 00:13:45,720 [he slams the door and runs away] 213 00:13:47,720 --> 00:13:48,800 Alex! 214 00:13:50,520 --> 00:13:51,520 Alex! 215 00:13:55,440 --> 00:13:57,280 - Quick, he's gone that way! - Okay. 216 00:13:57,440 --> 00:13:58,760 But untie me! 217 00:13:58,920 --> 00:14:01,080 Alex! Untie me. 218 00:14:01,240 --> 00:14:02,680 Hm... You have hands, right? 219 00:14:04,840 --> 00:14:06,000 Now's not the time. 220 00:14:08,160 --> 00:14:09,800 That's when it suits you. 221 00:14:09,960 --> 00:14:11,840 He has the painting! Swarm! 222 00:14:12,000 --> 00:14:13,080 Hmm... 223 00:14:13,240 --> 00:14:15,360 What does the guy look like? 224 00:14:15,560 --> 00:14:18,000 Tall, dark, athletic, blue look... 225 00:14:18,160 --> 00:14:20,800 - Super intense. - Do you like him or what? 226 00:14:20,960 --> 00:14:23,800 - No way ! - Myth. 227 00:14:23,960 --> 00:14:26,440 [suspenseful music] 228 00:14:36,920 --> 00:14:39,160 [electric whirring] 229 00:14:41,920 --> 00:14:43,080 Where is this idiot? 230 00:14:44,280 --> 00:14:46,600 - SO ? - He stole the painting, that bastard. 231 00:14:46,760 --> 00:14:48,120 What do we do? 232 00:14:49,760 --> 00:14:50,840 He's over there! 233 00:14:51,040 --> 00:14:53,240 Stop! He's on the roof! 234 00:14:53,400 --> 00:14:55,720 - On the roof! - Tam, what are you doing? Stay here! 235 00:14:55,920 --> 00:14:57,360 - Go ahead! - Tom! 236 00:14:58,800 --> 00:15:00,320 Stop! 237 00:15:00,480 --> 00:15:01,920 Don't move, I tell you! 238 00:15:02,080 --> 00:15:03,000 He is there. 239 00:15:03,160 --> 00:15:05,200 If they catch him, we don't have the table. 240 00:15:05,400 --> 00:15:06,440 We don't have time. 241 00:15:06,600 --> 00:15:07,600 Here we go ! 242 00:15:07,760 --> 00:15:10,600 We don't have time, the cops are coming! 243 00:15:10,760 --> 00:15:11,800 Don't move! 244 00:15:12,000 --> 00:15:14,000 [wind blows] 245 00:15:14,160 --> 00:15:15,600 Stop! 246 00:15:16,880 --> 00:15:17,920 Stop! 247 00:15:18,080 --> 00:15:19,560 We don't have time anymore, Tam! 248 00:15:19,720 --> 00:15:20,680 Damn, Alex! 249 00:15:20,840 --> 00:15:22,480 - Move! - Alex, come back down! 250 00:15:22,680 --> 00:15:23,960 We don't have time! 251 00:15:24,120 --> 00:15:25,320 Listen to me. 252 00:15:25,480 --> 00:15:27,760 - Tam, listen to me! - Don't listen to him, come on! 253 00:15:27,960 --> 00:15:30,680 - Come back down, it's dead! - Come on, go for it! Go ahead! 254 00:15:30,840 --> 00:15:32,640 - Tam... Shut up! - Go ahead! 255 00:15:32,840 --> 00:15:34,760 - We need the painting! - Tom! 256 00:15:34,920 --> 00:15:36,920 - Look at me! - Go for it, damn it! 257 00:15:37,080 --> 00:15:38,920 You're going to get screwed... Shit ! 258 00:15:39,080 --> 00:15:42,360 Yes! Come on, go ahead! You're going to smash everything! 259 00:15:51,880 --> 00:15:52,920 Don't move! 260 00:16:10,120 --> 00:16:12,800 [he pants] 261 00:16:12,960 --> 00:16:14,760 [cry of effort and crash] 262 00:16:14,920 --> 00:16:15,960 [she screams] 263 00:16:16,120 --> 00:16:17,360 [wind blows] 264 00:16:17,560 --> 00:16:19,440 Gwen to all teams. 265 00:16:19,600 --> 00:16:21,640 - [Tam gasps] - It's not okay, right? 266 00:16:21,840 --> 00:16:23,920 I want my painting, I stole it 267 00:16:24,080 --> 00:16:27,280 first! - I'll sit down and we'll discuss it, OK? 268 00:16:29,440 --> 00:16:31,160 Stop gesticulating! 269 00:16:33,840 --> 00:16:37,480 [grunts of effort] 270 00:16:40,280 --> 00:16:44,200 [she gasps] 271 00:16:49,240 --> 00:16:51,080 Are you okay? 272 00:16:51,240 --> 00:16:52,800 [dynamic music] 273 00:16:52,960 --> 00:16:55,960 There are knots because you do anything! 274 00:17:02,160 --> 00:17:03,400 [she groans] 275 00:17:09,120 --> 00:17:10,800 [she gasps] 276 00:17:32,200 --> 00:17:34,640 OK, OK, OK, stop, stop, stop! 277 00:17:37,960 --> 00:17:39,160 The painting, damn it! 278 00:17:39,360 --> 00:17:41,120 [he lets out a mocking cry] 279 00:17:41,280 --> 00:17:42,920 [she groans] 280 00:17:43,120 --> 00:17:45,800 Damn, give me back this painting, damn! 281 00:18:09,840 --> 00:18:12,440 [music fades] 282 00:18:12,640 --> 00:18:14,440 [she gasps] 283 00:18:21,240 --> 00:18:23,360 - [whirring] - [dynamic music] 284 00:18:31,000 --> 00:18:34,040 [he shouts with joy] 285 00:18:39,800 --> 00:18:43,680 [tyres squealing] 286 00:18:46,880 --> 00:18:49,000 - Police! - Stop your engine! 287 00:18:49,160 --> 00:18:51,200 [police shouts] 288 00:18:51,360 --> 00:18:54,200 [whirring and screaming] 289 00:19:03,720 --> 00:19:05,400 [mermaids in the distance] 290 00:19:07,000 --> 00:19:08,720 Come up! 291 00:19:09,840 --> 00:19:10,880 Come up! 292 00:19:57,440 --> 00:19:59,920 - [they gasp] - Okay, 293 00:20:00,080 --> 00:20:02,920 what do we do? We have a problem! 294 00:20:03,120 --> 00:20:05,520 Indeed, and I hate conflict. 295 00:20:07,440 --> 00:20:08,640 Who are you? 296 00:20:10,480 --> 00:20:13,680 - They call me the Marquis. - This is ridiculous. 297 00:20:13,880 --> 00:20:17,680 Coming from someone called Cat's Eye... 298 00:20:17,880 --> 00:20:20,800 - Give me back the painting. - Wait... 299 00:20:20,960 --> 00:20:23,040 - Hey, wait... - Where is he? 300 00:20:23,240 --> 00:20:24,760 Not the nipples! 301 00:20:24,920 --> 00:20:26,640 Stop... Hey, hey! 302 00:20:26,800 --> 00:20:30,200 You are going to get off the motorcycle and we'll talk, OK? 303 00:20:30,360 --> 00:20:31,760 Can we talk? 304 00:20:34,960 --> 00:20:37,200 - Do you want to talk? - Absolutely. 305 00:20:39,560 --> 00:20:41,640 All right, let's talk. 306 00:20:46,440 --> 00:20:47,920 I always have a double. 307 00:20:48,080 --> 00:20:49,760 - [whirring] - No... 308 00:20:49,920 --> 00:20:52,640 - [whirring] - [Tam shouts] 309 00:20:52,840 --> 00:20:53,920 Bastard! 310 00:20:54,120 --> 00:20:56,200 [whirring] 311 00:20:59,320 --> 00:21:00,560 Shit... 312 00:21:22,160 --> 00:21:23,360 [opening signal] 313 00:21:28,640 --> 00:21:29,920 Are you okay? 314 00:21:31,080 --> 00:21:34,640 Nickel. We'll never get the painting back. 315 00:21:38,080 --> 00:21:39,600 Was he a network guy? 316 00:21:39,760 --> 00:21:41,000 I don't know, Syl. 317 00:21:44,240 --> 00:21:45,680 - [cut] - Damn... 318 00:21:45,840 --> 00:21:47,120 [intriguing music] 319 00:22:09,800 --> 00:22:11,000 Gabriel. 320 00:22:17,040 --> 00:22:18,680 - [door slams] - [he sniffs] 321 00:22:22,960 --> 00:22:25,240 We acted like animals, on this flight. 322 00:22:25,440 --> 00:22:28,560 There are the eight, as expected. 323 00:22:28,720 --> 00:22:31,680 You can watch, they all arrive from London. 324 00:22:34,320 --> 00:22:36,320 Are you happy? 325 00:22:36,480 --> 00:22:38,720 You see in me someone happy? 326 00:22:42,440 --> 00:22:45,280 It's amateur work. We don't rob a museum 327 00:22:45,440 --> 00:22:47,320 full of tourists with kalash. 328 00:22:47,520 --> 00:22:51,160 Nobody will want these paintings. Interpol is already on the scene, 329 00:22:51,320 --> 00:22:53,560 it will take years to sell them. 330 00:22:53,760 --> 00:22:56,720 No, not that much. Don't worry. 331 00:22:56,880 --> 00:22:58,360 I'm going fast 332 00:22:58,520 --> 00:23:00,400 make them forget, these tables. 333 00:23:01,600 --> 00:23:04,840 Octave is not the type of coats worn 334 00:23:05,000 --> 00:23:06,240 Prudence Dalembert? 335 00:23:09,040 --> 00:23:10,280 Did you see her again? 336 00:23:12,520 --> 00:23:13,880 No, never. 337 00:23:16,160 --> 00:23:17,360 His coat is here, 338 00:23:17,520 --> 00:23:19,400 However, it's weird. 339 00:23:19,600 --> 00:23:22,240 Not since she disappeared with his brother. 340 00:23:22,440 --> 00:23:24,120 She had just come 341 00:23:24,280 --> 00:23:27,120 with him here a long time ago. She had forgotten that. 342 00:23:27,320 --> 00:23:30,000 - She never came back to get him. - Forget ? 343 00:23:32,000 --> 00:23:34,400 Everyone said that you were together. 344 00:23:34,600 --> 00:23:37,360 Don't believe whatever they say, Gabriel. 345 00:23:37,560 --> 00:23:41,440 No, on the other hand, It’s true that she loved hunting. 346 00:23:41,640 --> 00:23:45,160 We saw each other from time to time during a hunt 347 00:23:45,320 --> 00:23:47,760 or a beating... - Do you take me for an idiot? 348 00:23:47,960 --> 00:23:49,480 Do you know we're looking for her? 349 00:23:50,520 --> 00:23:53,800 They say she's dead, but... his body was never found. 350 00:23:55,480 --> 00:23:57,000 I don't know what to tell you. 351 00:23:58,240 --> 00:24:01,640 But if I have news, you will be the first to know. 352 00:24:01,840 --> 00:24:04,840 Oh, you have more or less interest, my friend. 353 00:24:05,040 --> 00:24:07,320 Otherwise, I take your frail little body 354 00:24:07,520 --> 00:24:08,840 and I hang it on the wall, 355 00:24:09,000 --> 00:24:13,040 with your head next to it of your hyena, eh? 356 00:24:13,240 --> 00:24:14,600 [he roars] 357 00:24:16,600 --> 00:24:19,000 [nervous laugh] 358 00:24:19,200 --> 00:24:20,200 Hey! 359 00:24:21,680 --> 00:24:23,800 [happy phone ringing] 360 00:24:33,280 --> 00:24:34,480 Hello. 361 00:24:34,640 --> 00:24:36,320 Hello, this is the Marquis. 362 00:24:36,520 --> 00:24:39,080 I think I have arrived, the castle, 363 00:24:39,240 --> 00:24:42,240 no address, but I can't arrive to open the gate. 364 00:24:43,320 --> 00:24:46,160 You get back in your car, and we'll come get you. 365 00:24:46,360 --> 00:24:48,760 - Yes, sorry, I'm on a motorbike... - He's here. 366 00:24:49,880 --> 00:24:50,880 Go get it. 367 00:24:52,120 --> 00:24:53,160 Yeah. 368 00:25:06,960 --> 00:25:08,960 [he sniffs and exhales loudly] 369 00:25:11,880 --> 00:25:13,560 - Hello. - Hi. 370 00:25:13,720 --> 00:25:16,680 - The Marquis. Delighted. - Yeah, yeah, follow me. 371 00:25:16,880 --> 00:25:19,160 - Are we at your place? - Yes yes. 372 00:25:19,320 --> 00:25:22,240 - Beasts are... - It was I who killed them. 373 00:25:23,520 --> 00:25:24,680 Oh. 374 00:25:26,560 --> 00:25:28,360 We are sure, for animal skin? 375 00:25:28,520 --> 00:25:30,440 Do you have the table? 376 00:25:33,000 --> 00:25:34,000 Yes... 377 00:25:34,200 --> 00:25:37,280 So we're not talking about... this animal that... 378 00:25:37,480 --> 00:25:39,280 Protected, too. In short... 379 00:25:45,240 --> 00:25:46,720 Check that it's the right one. 380 00:25:46,920 --> 00:25:48,400 [snaps his fingers] 381 00:25:48,600 --> 00:25:51,280 - It's the right one. - And if so, destroy it. 382 00:25:51,480 --> 00:25:53,080 I just told you that... 383 00:25:57,720 --> 00:25:58,920 Yeah, it's the right one. 384 00:26:05,600 --> 00:26:07,680 When I see everything you have there, 385 00:26:07,840 --> 00:26:10,640 why did you ask me to steal this crust? 386 00:26:10,840 --> 00:26:13,040 - There was a girl on the train. - Yes. 387 00:26:13,240 --> 00:26:14,760 A Cat's Eyes. 388 00:26:15,880 --> 00:26:19,040 Yes, absolutely. Player. 389 00:26:19,240 --> 00:26:21,160 She lost, but she is playful. 390 00:26:21,320 --> 00:26:22,640 Was she alone? 391 00:26:24,080 --> 00:26:26,760 Um... Yes. 392 00:26:28,800 --> 00:26:32,000 Yes yes, or... yes no? 393 00:26:32,200 --> 00:26:33,880 Yes... Perfectly alone. 394 00:26:34,080 --> 00:26:35,440 - Yes ? - Yeah. 395 00:26:35,640 --> 00:26:38,240 [heavy music] 396 00:26:38,400 --> 00:26:40,880 Well, I... I'm going to go there. 397 00:26:41,040 --> 00:26:43,720 It was a pleasure. Thank you so much. 398 00:26:43,880 --> 00:26:46,720 Don't forget the transfer, Swiss francs. 399 00:26:46,880 --> 00:26:48,840 - Have a great day... - [crunch] 400 00:26:49,000 --> 00:26:50,720 I don't like cracks. 401 00:26:50,880 --> 00:26:52,880 - [groan] - For your information... 402 00:26:54,160 --> 00:26:57,040 there is not just one Cat's Eyes, there are three of them. 403 00:26:57,200 --> 00:26:59,320 - I only saw one. - You saw all three. 404 00:26:59,480 --> 00:27:03,080 - I only saw one. - For your physical integrity, 405 00:27:03,240 --> 00:27:06,840 next time you see them, you're calling me, is that clear? 406 00:27:07,000 --> 00:27:08,520 Very clear. 407 00:27:10,320 --> 00:27:11,600 [sigh of relief] 408 00:27:12,920 --> 00:27:15,160 Holy grip. Great grip. 409 00:27:15,360 --> 00:27:16,480 I'll leave you. 410 00:27:16,680 --> 00:27:19,320 Gentlemen, have a good day, take care of yourself. 411 00:27:19,520 --> 00:27:21,320 [dynamic rock music] 412 00:27:33,520 --> 00:27:35,520 [Bruneau] You have a good explanation 413 00:27:35,680 --> 00:27:37,480 for this new fiasco? 414 00:27:37,680 --> 00:27:41,280 It has already leaked to the press. Our phones are ringing non-stop 415 00:27:41,480 --> 00:27:43,560 and everyone asks me what it does 416 00:27:43,760 --> 00:27:45,640 to be ridiculed by Cat's Eyes. 417 00:27:45,840 --> 00:27:47,000 - Is it progressing? - Yes. 418 00:27:47,160 --> 00:27:49,760 I return the question to you, Chapuis. 419 00:27:49,920 --> 00:27:51,880 What does that make you feel? 420 00:27:52,080 --> 00:27:53,800 Headache? Ouch ouch? 421 00:27:54,000 --> 00:27:57,440 You didn't miss her, I'm going to believe it's personal. 422 00:27:58,680 --> 00:28:01,200 And we still have nothing to identify it? 423 00:28:03,720 --> 00:28:04,920 I have an idea. 424 00:28:05,080 --> 00:28:06,800 No... 425 00:28:08,520 --> 00:28:10,960 On the train, from afar, the girl looked like 426 00:28:11,160 --> 00:28:12,720 to someone we know. 427 00:28:14,600 --> 00:28:16,520 (It's not fucking good...) 428 00:28:16,720 --> 00:28:18,680 It looked like to Tamara Chamade. 429 00:28:18,880 --> 00:28:22,800 What are you doing to me? His phone spent the whole day at the café. 430 00:28:22,960 --> 00:28:24,360 What more do you need? 431 00:28:24,520 --> 00:28:27,200 Either you have something concrete, or you close it. 432 00:28:27,400 --> 00:28:29,600 Otherwise, I'll get angry. You have 433 00:28:29,760 --> 00:28:31,600 something concrete? - No. 434 00:28:33,240 --> 00:28:36,800 - (Good for his face.) - I'm not getting through this. 435 00:28:40,800 --> 00:28:42,800 The guy on the train, a clue? 436 00:28:42,960 --> 00:28:44,440 Surely the Marquis. 437 00:28:44,600 --> 00:28:47,440 There are few thieves base jumping experts. 438 00:28:47,600 --> 00:28:49,280 Who is this Marquis? 439 00:28:49,440 --> 00:28:52,520 A jewel thief which has been going on for 20 years, 440 00:28:52,680 --> 00:28:54,440 Lucas Svezic. 441 00:28:54,600 --> 00:28:58,080 He is talented. He is in Paris, he is planning a coup, 442 00:28:58,240 --> 00:29:00,000 and we're on it with the group. 443 00:29:01,600 --> 00:29:04,720 Are you releasing this now? Why didn't you tell me? 444 00:29:05,720 --> 00:29:07,720 We don't collaborate on this matter, 445 00:29:07,880 --> 00:29:09,320 dear friend. 446 00:29:13,280 --> 00:29:15,080 So if I follow you, 447 00:29:15,240 --> 00:29:18,120 the Marquis could be an accomplice of Cat's Eyes? 448 00:29:18,320 --> 00:29:21,120 An accomplice or a competitor who doubled it. 449 00:29:21,320 --> 00:29:23,400 He's a mercenary, he could have 450 00:29:23,560 --> 00:29:26,560 be engaged by the network. - To do what? 451 00:29:26,720 --> 00:29:30,320 The painting stolen on the train, It's worthless, really. 452 00:29:30,480 --> 00:29:33,600 He is part from the Dalembert collection. 453 00:29:33,760 --> 00:29:35,400 Yes, but it's not old. 454 00:29:35,600 --> 00:29:38,600 This is a recent painting done in the 16th century style 455 00:29:38,800 --> 00:29:41,000 and signed by a certain Carnach. 456 00:29:41,880 --> 00:29:43,240 - Cranaff. - Cranaff. 457 00:29:43,440 --> 00:29:44,480 "Carnach"... 458 00:29:45,640 --> 00:29:47,960 -And? - He is an unreferenced painter. 459 00:29:48,160 --> 00:29:50,880 We never understood why there was this painting 460 00:29:51,080 --> 00:29:52,800 in the Dalembert collection. 461 00:29:52,960 --> 00:29:56,440 All right. You will search everything you can 462 00:29:56,640 --> 00:29:58,040 around this Cranaff. 463 00:29:58,200 --> 00:30:01,800 - They will know about the QR code. - [indistinct words] 464 00:30:01,960 --> 00:30:04,280 - Is that clear? - Yes, boss. 465 00:30:05,320 --> 00:30:07,200 Assaya, wait. 466 00:30:07,400 --> 00:30:09,640 For the briefing of Operation Winter... 467 00:30:10,680 --> 00:30:12,720 - Winter? - ...Chapuis and his team 468 00:30:12,880 --> 00:30:14,600 should be present. 469 00:30:14,760 --> 00:30:17,920 Oh no. It's not a matter for the Brocs, that. 470 00:30:18,080 --> 00:30:19,800 Since the Marquis 471 00:30:19,960 --> 00:30:22,080 and Cat's Eyes were seen together, yes. 472 00:30:22,240 --> 00:30:23,760 Here we go ? 473 00:30:23,920 --> 00:30:25,440 Be on time tomorrow. 474 00:30:28,920 --> 00:30:30,080 - Hey ! - Are you okay, Quentin? 475 00:30:30,280 --> 00:30:32,000 Yes, I had to get up too quickly. 476 00:30:32,200 --> 00:30:33,120 - Are you sure? - Yes. 477 00:30:33,320 --> 00:30:35,200 - You have to go to the hospital. - It's good. 478 00:30:35,360 --> 00:30:37,640 - Wait. - Maybe you have 479 00:30:37,800 --> 00:30:40,240 head trauma. - But no, it's okay... 480 00:30:40,400 --> 00:30:41,680 I'm going, I'm going. 481 00:30:41,840 --> 00:30:45,360 - You're not supposed to have heard. - I'll find an excuse. 482 00:30:45,520 --> 00:30:46,920 Be careful. 483 00:30:47,080 --> 00:30:48,120 Are you careful? 484 00:30:48,320 --> 00:30:49,440 Yes ! 485 00:30:49,640 --> 00:30:51,720 [tension music] 486 00:30:56,120 --> 00:30:58,800 [tyres squealing] 487 00:31:09,680 --> 00:31:12,080 Gwen? Where is he? 488 00:31:12,280 --> 00:31:14,520 He is still with the doctor there. 489 00:31:14,720 --> 00:31:16,240 Okay. How are you ? 490 00:31:17,480 --> 00:31:18,840 I don't know. 491 00:31:25,600 --> 00:31:28,120 Can I stay here? Doesn't that bother you? 492 00:31:28,320 --> 00:31:30,760 - No, don't worry, stay. - THANKS. 493 00:31:54,920 --> 00:31:57,440 6 times is a lot, anyway. 494 00:31:57,640 --> 00:31:59,160 What are you talking about? 495 00:31:59,360 --> 00:32:01,200 6 times that Quentin almost died 496 00:32:01,400 --> 00:32:03,720 since he's been chasing her, That’s it, right? 497 00:32:08,040 --> 00:32:10,360 - I don't know. - Yes, remember. 498 00:32:10,560 --> 00:32:12,800 1: at the Eiffel Tower, where he almost slipped 499 00:32:13,000 --> 00:32:15,200 following this bitch and his kakemono. 500 00:32:15,400 --> 00:32:18,560 2: on the roofs of Godard's. She was the one who saved him. 501 00:32:18,760 --> 00:32:21,040 At the time, I didn't understand why. 502 00:32:21,240 --> 00:32:23,520 3: at Versailles. We got shot 503 00:32:23,720 --> 00:32:26,000 by Dalembert's sister who, 4, at the Louvre, 504 00:32:26,200 --> 00:32:28,120 hit the mark touching him on the arm. 505 00:32:28,320 --> 00:32:30,600 The arm is still 10 cm from the heart. 506 00:32:30,800 --> 00:32:33,440 5: at Dalembert always, we got turned on 507 00:32:33,640 --> 00:32:36,400 to the weapon of war by this same psycho and her henchmen. 508 00:32:36,600 --> 00:32:39,840 And then 6: today, on the train, 509 00:32:40,040 --> 00:32:42,640 where that bitch stuck it to the wall with its high kick 510 00:32:42,840 --> 00:32:45,440 before parachuting with the Marquis. 511 00:32:45,640 --> 00:32:48,600 That's 6, which gives us the honor of being here this evening. 512 00:32:48,800 --> 00:32:51,200 [intriguing music] 513 00:32:53,480 --> 00:32:55,520 Where were you this afternoon? Chamade? 514 00:32:57,920 --> 00:32:59,200 [we open a door] 515 00:33:03,440 --> 00:33:04,480 Are you okay? 516 00:33:04,640 --> 00:33:07,120 Yes, that's right a concussion. 517 00:33:07,320 --> 00:33:09,360 It is necessary to monitor for 2 days. 518 00:33:09,520 --> 00:33:11,240 Nothing serious. Don't worry. 519 00:33:11,440 --> 00:33:14,160 Just a little commotion? Here I am reassured. 520 00:33:18,080 --> 00:33:19,440 I'm not taking you home. 521 00:33:20,600 --> 00:33:22,040 You're in good hands. 522 00:33:29,400 --> 00:33:31,840 [suspenseful music] 523 00:33:43,320 --> 00:33:45,560 [gasps] 524 00:33:50,080 --> 00:33:51,280 Stop! 525 00:34:12,880 --> 00:34:13,760 [she breathes] 526 00:34:25,680 --> 00:34:27,200 What did you want to talk to me about? 527 00:34:33,960 --> 00:34:35,080 The other evening, 528 00:34:35,240 --> 00:34:38,400 you started talking to me about... your return to France. 529 00:34:38,600 --> 00:34:42,400 You wanted to tell me something and... It seemed important. 530 00:34:52,600 --> 00:34:54,720 Okay. You don't say anything. 531 00:34:59,760 --> 00:35:02,360 Damn, seriously, I don't understand, Tam. 532 00:35:02,520 --> 00:35:03,960 What's the problem? 533 00:35:05,680 --> 00:35:09,360 When we were young, we could tell each other everything. 534 00:35:09,560 --> 00:35:11,200 It was fluid, simple. 535 00:35:11,360 --> 00:35:13,480 It was sincere between us. 536 00:35:15,480 --> 00:35:17,000 What happened? 537 00:35:19,720 --> 00:35:21,120 My father is missing. 538 00:35:21,320 --> 00:35:24,080 [intense music] 539 00:35:36,320 --> 00:35:38,560 There is one thing... 540 00:35:38,760 --> 00:35:42,040 which I don't want that you doubt, never, 541 00:35:43,960 --> 00:35:45,320 it's because I love you. 542 00:35:48,680 --> 00:35:49,920 I love you. 543 00:36:14,840 --> 00:36:16,720 [neon crackle] 544 00:36:24,120 --> 00:36:26,520 [Alex plays console] 545 00:36:37,280 --> 00:36:39,280 [Syl reads the article] 546 00:36:49,040 --> 00:36:50,120 [Alex] No, no! 547 00:36:50,280 --> 00:36:52,040 - It's not possible! - [scream] 548 00:36:52,240 --> 00:36:53,320 No! No ! No ! 549 00:36:53,480 --> 00:36:55,240 [yelling] No, no, no! 550 00:36:55,440 --> 00:36:57,080 Damn! I knew it! 551 00:36:57,240 --> 00:36:58,800 And what the hell is she doing, 552 00:36:58,960 --> 00:37:00,800 Tam? It's been 2 hours 553 00:37:00,960 --> 00:37:03,080 that we left them the apartment! 554 00:37:04,440 --> 00:37:07,840 Are you okay or what, Alex? You cracked, there. 555 00:37:08,000 --> 00:37:10,560 It's your video game who puts you like this? 556 00:37:11,920 --> 00:37:13,960 You found something on the Marquis? 557 00:37:18,080 --> 00:37:19,440 Um... yeah. 558 00:37:21,560 --> 00:37:23,880 Yeah... excuse me, You stressed me out there. 559 00:37:26,480 --> 00:37:30,040 Wow, the stress level! Uh... 560 00:37:30,200 --> 00:37:32,520 - [she sighs] - Yes, I find lots of things. 561 00:37:32,720 --> 00:37:35,480 He's a crazy burglar, but it's been a long time 562 00:37:35,640 --> 00:37:38,720 that he was not arrested, so it's going to be hard to find him. 563 00:37:38,880 --> 00:37:40,400 We will find a solution. 564 00:37:40,560 --> 00:37:42,840 Okay, I'm going to see Lili. It pissed me off. 565 00:37:43,000 --> 00:37:45,520 I love this “we” which always falls on me. 566 00:37:45,680 --> 00:37:47,280 Why do you say that ? 567 00:37:49,520 --> 00:37:51,120 I don't know. Let go. 568 00:37:51,280 --> 00:37:53,080 Between you who grows up too quickly 569 00:37:53,280 --> 00:37:55,920 and Tam spinning the perfect love with Quentin, 570 00:37:56,080 --> 00:37:58,120 I feel a little alone. 571 00:37:58,320 --> 00:38:00,000 Seriously, Syl, you're tough there. 572 00:38:00,160 --> 00:38:02,720 You can't blame us to be in love 573 00:38:02,880 --> 00:38:04,480 and take time for that. 574 00:38:08,200 --> 00:38:10,720 Yes, obviously, you're right. 575 00:38:10,920 --> 00:38:13,360 Pardon. I don't know why did I say that. 576 00:38:14,360 --> 00:38:16,560 Forget. It's just that I'm tired. 577 00:38:17,880 --> 00:38:20,360 It doesn't matter. You just need ken. 578 00:38:20,560 --> 00:38:21,800 - [Syl laughs] - Come on. 579 00:38:22,000 --> 00:38:23,680 Call Abel. 580 00:38:25,200 --> 00:38:27,920 Call Abel! Mh? 581 00:38:30,680 --> 00:38:32,080 Or go see him. 582 00:38:32,280 --> 00:38:34,920 It's not that far, London, in real life. Mh? 583 00:38:35,080 --> 00:38:36,520 No. 584 00:38:36,720 --> 00:38:38,800 Why you're not going to see him? 585 00:38:39,000 --> 00:38:41,480 You take a train, tac, 2 hours, it's done. 586 00:38:45,840 --> 00:38:47,560 I don't know. I'm not sure. 587 00:38:50,760 --> 00:38:52,720 You want us to take you at the convent 588 00:38:52,920 --> 00:38:55,520 with candles and a breakup playlist? 589 00:38:55,720 --> 00:38:56,960 I'll think about it. 590 00:38:58,480 --> 00:39:00,120 Okay, go ahead. 591 00:39:00,280 --> 00:39:03,480 - I'll stay here. - No, I didn't say that to... 592 00:39:03,640 --> 00:39:05,800 We're going to watch a film, the old way. 593 00:39:05,960 --> 00:39:08,200 - Head to tail? - Yes ! I like it. 594 00:39:08,360 --> 00:39:10,560 With your little feet on my face? 595 00:39:11,640 --> 00:39:13,640 Okay, I'll see what the hell are they doing. 596 00:39:13,800 --> 00:39:16,160 - We've been waiting for 2 hours. - How so ? 597 00:39:16,320 --> 00:39:18,120 They sleep, we can go back. 598 00:39:18,320 --> 00:39:19,840 What are you doing there? 599 00:39:21,440 --> 00:39:23,640 - No, Alex... - Wait. 600 00:39:23,800 --> 00:39:25,800 You can't listen, it's not cool. 601 00:39:26,000 --> 00:39:27,640 Ah, they don't sleep! 602 00:39:27,800 --> 00:39:29,480 - Ah, that disgusts me! - [she shouts] 603 00:39:29,680 --> 00:39:32,480 - It's disgusting! It makes... - [mouth noises] 604 00:39:32,640 --> 00:39:35,280 Damn! Damn, Alex! 605 00:39:35,440 --> 00:39:37,240 [light music] 606 00:40:05,880 --> 00:40:08,560 - Apple juice? - No, it's okay. 607 00:40:08,720 --> 00:40:10,240 I have to go, in addition. 608 00:40:12,840 --> 00:40:14,120 - How are you ? - Mh mh. 609 00:40:15,520 --> 00:40:18,400 - This is my coffee. - Where is my cup? 610 00:40:18,600 --> 00:40:20,840 - I don't know. - Oh well... 611 00:40:21,000 --> 00:40:23,680 We're not going any further make your coffee. 612 00:40:25,280 --> 00:40:26,560 Quite a descent. 613 00:40:28,800 --> 00:40:30,600 Okay, come on. 614 00:40:32,320 --> 00:40:34,320 [Syl and Alex laugh] 615 00:40:37,280 --> 00:40:39,520 - [Tamp hits Alex] - Little bitch, go. 616 00:40:39,680 --> 00:40:41,320 What is it, your problem? 617 00:40:41,480 --> 00:40:43,160 We have no problem. 618 00:40:43,360 --> 00:40:46,240 I'm quite fascinated by the concept. 619 00:40:47,280 --> 00:40:49,840 Like Columbo during the day and Christian Gray at night. 620 00:40:50,000 --> 00:40:52,440 - He was in good shape yesterday. - No, you didn't do that? 621 00:40:52,640 --> 00:40:54,560 - It's okay... - Alex, seriously! 622 00:40:54,720 --> 00:40:57,320 - You told us only an hour! - What report? 623 00:40:57,520 --> 00:41:00,160 - “Tam… Oh yes…” - “Mh... Do you like that?” 624 00:41:00,360 --> 00:41:03,120 - "Yes, Tam... Oh yes..." - “Love you, huh?” 625 00:41:03,280 --> 00:41:05,080 - “Oh yes…” - “Do you like it?” 626 00:41:05,240 --> 00:41:08,480 I don't do that. On the other hand, he's not bad. 627 00:41:08,680 --> 00:41:10,960 - No, I don't do that. - “Again, again!” 628 00:41:12,080 --> 00:41:14,960 - [indistinct words] - Well, I'm going there. 629 00:41:16,120 --> 00:41:17,360 Thanks, girls! 630 00:41:17,520 --> 00:41:19,800 - My pleasure. - Very good rolls. 631 00:41:19,960 --> 00:41:21,840 We need to regain our strength. 632 00:41:22,000 --> 00:41:24,000 - Big day, too. - Well that... 633 00:41:24,200 --> 00:41:26,560 - Come on, kisses. - Kisses, kisses. 634 00:41:26,760 --> 00:41:28,120 [Quentin leaves] 635 00:41:28,320 --> 00:41:30,320 It is therefore not how nice. 636 00:41:30,480 --> 00:41:34,280 Never underestimate a reserved guy. Never. 637 00:41:34,440 --> 00:41:36,520 - On the other hand, he is stupid. - What ? 638 00:41:36,720 --> 00:41:38,760 - He forgot his cell phone. - Oh stupid. 639 00:41:38,920 --> 00:41:42,640 Come on, run, Forrest, run! He's going to miss the brief! 640 00:41:42,800 --> 00:41:45,960 [energetic rock music] 641 00:41:55,120 --> 00:41:57,120 Hello. Sorry for the delay. 642 00:41:57,280 --> 00:41:58,600 I did it as quickly as possible. 643 00:41:58,760 --> 00:42:01,040 - Chapuis, are you better? - Yes, it's okay, thank you. 644 00:42:05,800 --> 00:42:07,560 Okay, we can start. 645 00:42:07,720 --> 00:42:08,920 Yes. 646 00:42:09,120 --> 00:42:11,920 So, I present to you Lucas Svezic known as the Marquis. 647 00:42:12,080 --> 00:42:14,400 - The guy from the train. - Uh yes, 648 00:42:14,560 --> 00:42:16,160 I know. I am, anyway. 649 00:42:17,680 --> 00:42:19,160 What is this photo? 650 00:42:19,320 --> 00:42:21,640 - Don't we have more recent ones? - No. She was taken 651 00:42:21,800 --> 00:42:24,080 during his first shot, he was a minor. 652 00:42:24,280 --> 00:42:25,920 We never picked it up again. 653 00:42:26,080 --> 00:42:29,440 The Marquis is an aesthete and a non-violent, independent, 654 00:42:29,600 --> 00:42:32,720 opportunistic thief of art objects and great amateur 655 00:42:32,880 --> 00:42:34,880 jewellery and ancient jewels. 656 00:42:35,040 --> 00:42:37,240 We think our thief is in Paris 657 00:42:37,400 --> 00:42:39,960 for a specific reason: the queen's jewels. 658 00:42:40,160 --> 00:42:42,080 - What? - 4 sets that belonged 659 00:42:42,240 --> 00:42:45,280 to Marie Antoinette and representing the 4 seasons. 660 00:42:45,480 --> 00:42:48,200 Financial and historical value priceless. 661 00:42:50,440 --> 00:42:51,920 He has already stolen 3. 662 00:42:52,080 --> 00:42:54,080 He's missing the last one, Winter. 663 00:42:54,240 --> 00:42:55,280 Let me see. 664 00:43:00,440 --> 00:43:02,360 - I have it. - [Quentin] Where is this necklace? 665 00:43:02,520 --> 00:43:03,720 It belongs to the museum 666 00:43:03,880 --> 00:43:07,280 of Decorative Arts. He will be loaned for a fashion show. 667 00:43:07,440 --> 00:43:09,720 A perfect opportunity for the Marquis. 668 00:43:09,880 --> 00:43:12,640 He will definitely enjoy the parade to steal it, 669 00:43:12,800 --> 00:43:15,320 parade which will take place at the Pompidou Center 670 00:43:15,480 --> 00:43:16,680 in 2 days 671 00:43:16,840 --> 00:43:19,640 and for which we have planned everything to stop him. 672 00:43:19,800 --> 00:43:22,120 [intriguing music] 673 00:43:42,800 --> 00:43:44,400 Good. On this point, I propose 674 00:43:44,560 --> 00:43:47,440 to go undercover, like at Versailles. 675 00:43:49,080 --> 00:43:50,960 Are we bombs or not? 676 00:43:51,120 --> 00:43:52,840 - Not bad. - We're bombs. 677 00:43:53,000 --> 00:43:54,760 We look like models. 678 00:43:54,920 --> 00:43:57,120 We infiltrate, we grab the necklace 679 00:43:57,280 --> 00:44:00,320 and we offer the Marquis an exchange against the board. 680 00:44:00,480 --> 00:44:02,560 Hoping may he always have it. 681 00:44:02,760 --> 00:44:04,120 Yes... This necklace, 682 00:44:04,280 --> 00:44:07,360 it's the only one he misses. He's going to move, the guy. 683 00:44:07,520 --> 00:44:09,160 Wait, butterfly. 684 00:44:09,320 --> 00:44:11,560 How to steal the necklace to the model 685 00:44:11,760 --> 00:44:13,520 without her realizing it, 686 00:44:13,680 --> 00:44:16,040 all this while there is cops everywhere? 687 00:44:16,240 --> 00:44:18,160 You will find a solution. 688 00:44:19,320 --> 00:44:20,440 Mh? 689 00:44:23,320 --> 00:44:24,200 I know. 690 00:44:25,640 --> 00:44:28,800 A small substitution gently. 691 00:44:29,000 --> 00:44:31,120 The time the cops realize 692 00:44:31,280 --> 00:44:34,080 that it's not the right one, we are already far away. 693 00:44:34,280 --> 00:44:35,520 I have a friend who can 694 00:44:35,680 --> 00:44:37,880 take charge of the copy of the necklace. 695 00:44:38,040 --> 00:44:39,120 I feel it well. 696 00:44:39,280 --> 00:44:41,480 [light music] 697 00:44:51,800 --> 00:44:54,640 [proposed in English] 698 00:44:56,320 --> 00:44:59,120 - So? - Look at. Snake around the neck. 699 00:44:59,280 --> 00:45:01,160 And you think what will it do? 700 00:45:01,360 --> 00:45:04,240 - Yes, same size, same skin. - But the snake... 701 00:45:04,400 --> 00:45:06,320 Completely crazy, this girl. 702 00:45:06,480 --> 00:45:08,720 Looking forward to seeing what it will look like on Tam. 703 00:45:08,880 --> 00:45:10,640 She found his hotel? 704 00:45:10,800 --> 00:45:13,560 Still not. She has just seen at the Royal Monceau, 705 00:45:13,720 --> 00:45:16,160 and there she heads towards the Collector. 706 00:45:16,320 --> 00:45:18,640 She calls as soon as she located it. 707 00:45:27,000 --> 00:45:28,960 You don't have anything else to fuck? 708 00:45:29,160 --> 00:45:31,080 When do you get it back? the necklace? 709 00:45:31,240 --> 00:45:33,960 - I'm waiting for my friend to call me. - Is she sure? 710 00:45:34,160 --> 00:45:36,680 Yes, it's been 10 years that I know her. In addition, 711 00:45:36,840 --> 00:45:37,880 she likes me. 712 00:45:38,040 --> 00:45:40,400 - Okay, come help me. - You're rented again, too. 713 00:45:40,600 --> 00:45:42,240 No, I'm not rented again, no. 714 00:45:43,720 --> 00:45:44,960 [she chuckles] 715 00:45:48,240 --> 00:45:50,440 (What is he doing there? Shit.) 716 00:45:53,520 --> 00:45:56,360 In addition, after We have to go get the van. 717 00:46:02,520 --> 00:46:04,400 What are you doing here? 718 00:46:05,680 --> 00:46:07,280 I did as we said. 719 00:46:08,440 --> 00:46:10,000 How so ? 720 00:46:19,480 --> 00:46:21,000 Look at. 721 00:46:28,160 --> 00:46:30,920 Do you think I would have written “I’m too bad without you”? 722 00:46:32,920 --> 00:46:35,200 It's true that surprised me about you. 723 00:46:35,400 --> 00:46:37,400 It must be Alex, I'm sorry. 724 00:46:40,680 --> 00:46:42,120 Do you have time for a coffee? 725 00:46:44,400 --> 00:46:45,840 No, I have too much stuff. 726 00:46:46,000 --> 00:46:47,800 If ever you go to London... 727 00:46:57,240 --> 00:46:58,360 Abel. 728 00:47:02,040 --> 00:47:03,720 Can you come back this evening? 729 00:47:05,520 --> 00:47:07,240 What time? 730 00:47:07,440 --> 00:47:09,400 At closing, around 11 p.m. 731 00:47:31,600 --> 00:47:32,760 I see you. 732 00:47:33,800 --> 00:47:36,640 - Surprise ! - You can't do that 733 00:47:36,800 --> 00:47:39,080 with the cell phone of everyone. 734 00:47:42,120 --> 00:47:45,440 Even if you play maracas with a strainer. 735 00:47:45,640 --> 00:47:47,600 [cell phone ringing and vibrating] 736 00:47:51,240 --> 00:47:54,320 - Is it Tam? - Yeah. Hello ? 737 00:47:54,480 --> 00:47:56,320 [electro pop music] 738 00:47:59,000 --> 00:48:00,160 We're coming. 739 00:48:01,760 --> 00:48:03,040 She found 740 00:48:03,200 --> 00:48:04,680 the influencer. Here we go. 741 00:48:17,080 --> 00:48:18,960 [in Russian] Miss Velisava Drakova Vranová? 742 00:48:20,480 --> 00:48:23,200 [in Russian] I am Sara, your assistant for the parade. 743 00:48:23,440 --> 00:48:26,560 [in Russian] Will you follow me to the van please? 744 00:48:29,640 --> 00:48:30,800 [in Russian] Miss Velisava? 745 00:48:30,960 --> 00:48:32,080 [in Russian] Can I take your suitcase? 746 00:48:32,280 --> 00:48:33,640 Good morning. 747 00:48:43,240 --> 00:48:44,520 Okay, shall we go? 748 00:48:44,680 --> 00:48:46,600 Of course. 749 00:48:58,400 --> 00:49:00,840 - Veli! Veli, this way! - [crowd from the crowd] 750 00:49:02,440 --> 00:49:05,440 You have tea What did I ask you? 751 00:49:05,600 --> 00:49:06,880 Yes of course. 752 00:49:08,560 --> 00:49:10,800 Pardon ! Push yourself, push yourself! 753 00:49:15,840 --> 00:49:18,480 [she swallows and chokes] 754 00:49:18,840 --> 00:49:20,080 [she snores] 755 00:49:20,440 --> 00:49:24,360 - Velisava! Please ! - Velisava! 756 00:49:30,880 --> 00:49:32,520 No. No, no, no, no. 757 00:49:37,760 --> 00:49:38,960 I told you no! 758 00:49:39,120 --> 00:49:40,520 The snake is no. 759 00:49:40,680 --> 00:49:41,840 I can't. 760 00:49:42,000 --> 00:49:43,680 It's not possible! 761 00:49:56,640 --> 00:49:58,240 There is Quentin. 762 00:49:58,400 --> 00:50:00,400 You are unrecognizable. 763 00:50:24,720 --> 00:50:27,480 SUBTITLE: RED BEE MEDIA